Anime roundup '19Q3
Summer season was a least a bit better than Spring.
I dropped Sounan desu-ka after the first episode, as it just didn't engage; and what is it about anime original passion project shows with 2D mechs? I dropped Granbelm after episode 5, a full twenty minutes of screaming and beam-spam, as a failure by the usual criterion -- the visuals were pretty enough, but for all that it was full of sound and fury, it seemed a tale told by an idiot. After an interesting teaser, with retro Escaflowne/RayEarth vibes, it turned out to be some weakly motivated tournament/knockout arc thing; and as a fight to the last one standing, in episodes, it didn't even reach the levels of likeable or love-to-hate amongst the combatants that Magical Girl Raising Project managed.
Wishy-washy doormat-like pinkies who aren't in the know are becoming a cliché for lead character in magical girl like the average blank slate black haired schoolboy in pretty much everything else; and so are their mysterious companions with long black hair.
By being much as expected, i.e. hamming up the overpowered anti-hero title character, and going full-on "Don't make me angry; you wouldn't like me when I'm angry." Accelerator was just harmless time filler.
From the backlog, I caught up with last year's Symphogear AXZ, which managed to avoid the lows that GX plumbed, perhaps for lack of quite such a degree of front-loading, too; then ploughed into Symphogear XV, which was much of the same, but had the virtue of delivering a reasonable end to the franchise.
And at the top of the list, of course, is Dumbbell nan kilo moteru?, a competent adaptation of the source material as a "cute girls and machos do muscle things" title. It started off adapting verbatim, but after the half-way mark skipped forwards, so that rather than being at the end of the season, the Hamnold Classic was at the 2/3 mark, so it could bring in more of the out-of-gym events (but not the girls' American road-trip).
There may be a few bits where the animation shows slightly questionable form (e.g. the demonstration of half-squats above has a foot placement that would end up in falling over backwards, and the bench press shows an incomplete range of movement), but the main change in the adaptation is the toning down of the fan-service (gone are the crop-tops with underboob, for example).
Since I ended up watching this over a meal, no, I didn't join in with the post-credits exercises.
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