Film — Phone

Korean horror in the same broad genre (phones, and other modern technology as catalyst for horror) as Saturday's disappointing One Missed Call; but more stylish and psychological, not relying on deliquescent walking dead to spice up the supernatural threat; and actually resolves itself.

In a couple of places, it was possibly too clever for its own good — when we see the main character suddenly awaking at her desk, it's never certain quite how much of the preceding events were “just a dream”, including the apparent resolution of the normal-world context plot that kick-starts the chain of events (acquiring the new mobile with the significant number, moving into the empty house).